In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many . . . . Continue Reading »
A couple of weeks ago, I quoted Frederick the Great’s judgment that Shakespeare’s plays were fit only for “savages of Canada,” what with their “jumble of lowliness and grandeur, of buffoonery and tragedy,” their sins “against all the rules of the theatre, . . . . Continue Reading »
Steven Marx’s Shakespeare and the Bible (Oxford, 2000), purports to be the “first book to explore the pattern and significance” of Shakespeare’s biblical allusions. Perhaps. The results are mixed. Each chapter of Marx’s book attempts to show structural, plot, and . . . . Continue Reading »
Exploring Lake Superior in 1840, one Charles W Penny wrote, “We read the Bible I dare say much more than we would have done had we been in Detroit. Shakespeare was duly honoured, as he is every day when we travel. When on the water, some one of the party usually reads his plays to the . . . . Continue Reading »
In the aforementioned article, Rosendale points to Philip Sidney as one who “translated the logic of sacramental representation to the worldly sphere of the literary. His Defense of Poesy posits a particularly close relationship between figurality and truth, and positions poetic . . . . Continue Reading »
Those who search for alternative authors for the plays of Shakespeare invariably offer alternative interpretations of the plays. Oxfordians scour the plays and sonnets for veiled allusions to the life of Edward de Vere. Well, as they say, two can play this game: John Freeman, in the aforementioned . . . . Continue Reading »
There has been recent discussion concerning the possibility that Shakespeare was a recusant Catholic. The evidence is circumstantial, but intriguing. John Freeman’s contribution to Shakespeare and the Culture of Christianity in Early Modern England (Fordham, 2003), summarizes the evidence. . . . . Continue Reading »
In his recent book, Honor: A History , James Bowman suggests that Iago was motivated by concerns of honor. He elevates “good name” above riches, and his stated motive for hating Othello is his suspicion that the Moor slept with his wife is consistent with traditional honor codes: . . . . Continue Reading »
James Wood is always illuminating, but never more so than when he’s giving a book a sharply negative review, as he does with Updike’s recent Terrorist (reviewed in TNR July 3). My favorite line: “When Ahmad [the terrorist of the title] speaks, he sounds like V. S. Naipaul; but . . . . Continue Reading »
Louis Dupre writes, “Shakespeare’s comedies, the accomplished masterpieces of this playful oscillation [between appearance and reality], leave the viewer utterly confused about what must count as real and what as illusion. The theatre here parodies a real-life fear of deception . . . . Continue Reading »
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