A Swiss visitor to London in 1599 saw a performance of Julius Caesar, and wrote: “On September 21st after lunch, about two o’clock, I and my party crossed the water, and there in the house with the thatched roof witnessed an excellent performance of the tragedy of the first Emperor . . . . Continue Reading »
James Wood has his fun with Harold Bloom in his TNR review of Bloom’s recent Jesus and Yahweh . Wood offers this parody of a typical Bloomian sentence: “Only Don Quixote can rival the fat knight, Sir John Falstaff, and even Emerson at his strongest - stronger, here, even than his . . . . Continue Reading »
Dante understood Aquinas: The prime mover is not pushy; He/it is not the first domino that knocks down all the others. He is Beautiful and Beauty in Himself, Glorious and Triune Glory, and by His beauty He arouses desire, which moves us toward Him. That is why people in the depths of Hell are . . . . Continue Reading »
There is a wonderful scene in Evelyn Waugh’s Unconditional Surrender where the English Gen. Ritchie-Hooke attacks a German garrison in broad daylight, virtually alone. The Germans are left scratching their heads: “The single-handed attack on a fortified position by a British . . . . Continue Reading »
Marjorie Garber has, as usual, some insightful things to say about Merchant of Venice: 1) She describes the play as “Shakespeare’s great play about difference,” pointing to the apparent stark contrasts of Christian and Jew, Venice and Belmont, male and female. Yet, she also notes . . . . Continue Reading »
A.R. Braunmuller offers some suggestive comments in his introduction to the Merchant of Venice in the Pelican Shakespeare. Having summarized Portia’s speech (which he suggests might be a “setup that turns on a technicality” that “turns back on Shylock a legal rigidity he had . . . . Continue Reading »
I am grateful to Ralph Smith for references to Frances Yates’ work on Shakespeare’s plays. In an analysis of The Tempest, Frances Yates writes: “It is inevitable and unavoidable in thinking of Prospero to bring in the name of John Dee, the great mathematical magus of whom . . . . Continue Reading »
Seamus Cooney, ed. The Poems of Charles Reznikoff, 1918-1975 . Boston: David R. Godine, 2005. 445 p. I had not heard of Charles Reznikoff (1894-1976) when I picked up this volume, but his poetry is a find. Born to Russian Jews in New York City, Reznikoff wrote and published poetry, over many . . . . Continue Reading »
That is to say, my final word, for a while. INTRODUCTION Throughout the term, we have looked at a variety of different angles on Hamlet. We have seen Hamlet through the eyes of romantics like Coleridge and Goethe; Freudians like Ernst Jones; modernists like TS Eliot and James Joyce. One of the most . . . . Continue Reading »
Shakespeare’s Coriolanus can be read as dramatizing the Augustinian perspective most recently articulated by Oliver O’Donovan, namely, that “within every political society there occurs, implicitly, an act of worship of divine rule.” Through his dramatization of Roman . . . . Continue Reading »
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