Reformed writer Andrew Sandlin is taking on Jane Austen: “I first saw with Jim West the 1995 theatrical permutation of Sense and Sensibility (starring Hugh Grant and Emma Thompson) at its initial release. I disliked it then and deplore it now. In seeing this movie again on TV yesterday I was . . . . Continue Reading »
In For the Time Being , W. H. Auden described Herod’s reaction to the news that “God has been born.” If this is true, and if the news gets out, Herod thinks, all is lost; confusion will reign. The passage is one of the most effective descriptions of the nature and hubris of modern . . . . Continue Reading »
Toward the close of Lundin’s book, he offers a number of intriguing criticisms of CS Lewis as a literary critic. He claims that while Lewis recognized the corrosive effects of the Enlightenment and Romantic conception of the self in his theological writings, he adopted a form of romanticism . . . . Continue Reading »
I want to examine Bunyan’s Pilgrim’s Progress and Daniel Defoe in the context of the rise of the Western European novel. Some scholars suggest that novel-like writing is evident in the ancient world, in medieval Japan, and medieval Europe. But the novel-writing that began to take over . . . . Continue Reading »
In his stimulating Clark Lectures (recently published as Grace and Necessity ), Rowan Williams suggests, following David Jones, that there are certain ontological conditions for the possibility of poetry: “the ontology, if we can use that forbidding word here, of a universe that is . . . . Continue Reading »
Here are a couple of selections from a September 2004 New Yorker interview with Marilynne Robinson: Q. “In your nonfiction collection, ‘The Death of Adam: Essays on Modern Thought,’ you wrote about the sixteenth-century theologian John Calvin, and about his strong sense of . . . . Continue Reading »
I recently picked up two short novels by the Hungarian writer, Imre Kertesz, winner of the 2002 Nobel Prize in Literature. I was surprised to discover that the novels - Liquidation and Kaddish for an Unborn Child - both told the same story, although from different perspectives and with very . . . . Continue Reading »
James Wood (TLS August 5) explores the Englishness of Saul Bellow, and particularly his indebtedness to the rhythms and sounds of the Authorized Version. Some of his suggestions are quite a stretch (“By the factory walls the grimy weeds grew” is quite distantly related to Psalm 137:1 - . . . . Continue Reading »
John Alvis suggests that in Hamlet, Shakespeare alligns himself with Machiavelli at least to the extent that he sees Christianity (or certain forms of Christianity) as a comfort to tyrants. Christians, Machiavelli says, are unresistant to tyranny because they have been taught to wait for the . . . . Continue Reading »
Despite the distracting use of the opposition of of “authenticity” and “responsibility,” Terry Eagleton has some thoughtful observations on the tragic dilemma in Hamlet ( Shakespeare and Society , 1967). Hamlet’s is a society of “reciprocal human . . . . Continue Reading »
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