MLA

Joseph Epstein writing on the MLA in a recent issue of The Weekly Standard: “At these meetings, in and out the room the women come and go, speaking of fellatio . . . .” . . . . Continue Reading »

Garber on Richard III

Here are some highlights of Marjorie Garber?s essay on Richard III in Shakespeare After All . 1) Garber suggests that Richard is the ?first fully realized and psychologically conceived character?Ein Shakespeare?s plays. Richard?s character is fully realize because he is complex, protean, chameleon . . . . Continue Reading »

Edward Said and The Way We Read Now

John Sutherland offers an analysis of the influence of the late Edward Said on film adaptations of English literature ( TLS , March 18). Said, for instance, argued in Culture and Imperialism , from a couple of passing references to the Betram family’s holdings in Antigua, that Mansfield Park . . . . Continue Reading »

Gilead

J.A. Gray has far and away the most perceptive review I’ve seen of Marilynne Robinson’s Gilead in the March issue of First Things . Gray attends to the gaps and reticence of the narrator, John Ames, pointing out that Ames never mentions the name of his young son, to whom the whole book . . . . Continue Reading »

Frederick Turner

Much of the poetry of Frederick Turner’s Paradise is traditionally rhymed and metered, and employs the veiled self-referentiality of earlier generations of poets (“the poet” appears in a number of poems). The themes of the poetry are also very traditional, focusing, as Turner . . . . Continue Reading »

Responsibility and Meaning

At one point in Atonement, Briony sends a slightly fictionalized version of part of her story to a magazine. She writes in the style of Virginia Woolf, focusing on light plays on the surfaces of stone and water. The story is rejected, and in explaining the rejection the editor says that the story . . . . Continue Reading »

Why We Care

With Ian McEwan’s recent Saturday getting strong reviews everywhere, I decided I needed to read the only McEwan novel that I possess, the 2001 Atonement . Atonement focuses on the story of the Tallis family. On a sultry day in Surrey in the 1930s, through a series of petty conflicts and . . . . Continue Reading »

Eliot and Dante

A discarded fragment from a paper: Virtually any passage of Eliot, even the briefest, would serve for hours of source-checking. Let me offer a brief interpretation of the closing lines of Part I of The Waste Land. The whole section is entitled ‘The Burial of the Dead.’ The final . . . . Continue Reading »

Shakespeare the Christian

A number of recent studies of the Elizabethan stage have emphasized its Christian dimensions. Debora Shuger writes, “if it is not plausible to read Shakespeare’s plays as Christian allegories, neither is it likely that the popular drama of a religiously saturated culture could, by a . . . . Continue Reading »