John Scott offers this rich interpretation of Inferno 19, where Dante comes across a collection of popes and other churchmen stuck upside-down in the rocks of Hell, their feet “licked” with fire: “Instead of turning their desires heavenward, these corrupt churchmen had sold the . . . . Continue Reading »
Why is it Virgil who leads Dante through Hell and as far as the top of Mount Purgatory? Well, he’s a poet for one thing, the greatest poet of all by Dante’s reckoning. Plus, for the medievals, he had taken on the role of sage and magus, and was widely lauded as a great pagan prophet for . . . . Continue Reading »
Michael Caines reviews Peter Knox-Shaw’s Jane Austen and the Enlightenment in the March 4 issue of the TLS . Caines provides a nice overview of the debates concerning Austen’s political views and alleged social conservatism before turning to Knox-Shaw’s particular contribution, . . . . Continue Reading »
Michael D. Hurley has a fine review of Nicholas Boyle’s Sacred and Secular Scriptures: A Catholic Approach to Literature in the Feb 11 issue of TLS . While Boyle contests the efforts of Herder and Schleiermacher to reduce “Word to word,” he still emphasizes the continuity between . . . . Continue Reading »
In his study of Shakespeare’s use of the heroic tradition of classical antiquity, Hero & Saint , Reuben Brower points out that Coriolanus is modeled on the ancient heroes of Greece and Rome, particularly Achilles: “Perhaps Coriolanus is most like Achilles in his passionate pride, in his . . . . Continue Reading »
Alastair Fowler has an eviserating review of Stephen Greenblatt’s Will in the World in the February 4 issue of the TLS . He finds that Greenblatt, despite his new historicist interest in the historical embeddedness of literature, is rather sloppy with historical facts and contexts. Like other . . . . Continue Reading »
More from Marjorie Garber?s book, this time on Julius Caesar . 1) Though the play is often assigned to high school students, Garber says that the play is ?one of Shakespeare?s most subtle and sophisticated,?Eexploring such issues as ?the nature of kingship, the relationship of the public to the . . . . Continue Reading »
Some of the highlights of Marjorie Garber’s discussion of Coriolanus . 1) With many critics, she emphasizes the emotional immaturity of the title hero: “Volumnia has refused to ever treat her son like a child, sending him out to war at an early age, and she emphasizes her own values of . . . . Continue Reading »
Notes on Titus Andronicus , drawn from various sources, mainly Robert Miola, ?Titus Andronicus: Rome and the Family,?Ein Titus Andronicus: Critical Essays . 1) Titus Andronicus is sometimes seen as an anomaly among Shakespeare?s Roman plays in that it is set in Rome but shows little interest in . . . . Continue Reading »
These thoughts are indebted to an article on Timon by Leo Paul S. de Alvarez in Alvis and West, Shakespeare as Political Thinker (ISI, 2000). 1) The play begins with a collection of Athenian artisans coming onstage, and we are immediately reminded that we are in Athens, the city of beauty and . . . . Continue Reading »
Subscribe
Latest Issue
Support First Things
