On Evangelical hymns: Can I really sing about a relationship with the Lord that is so joyous that no other person has ever experienced it? Doesn’t this go beyond the bounds of hyperbolic spiritual enthusiasm? Continue Reading »
Readers often find the opening chapters of 1 Chronicles stultifying. These pages contain list after list of names, with occasional mini-biographies thrown in to break up the monotony. Chronicles is hardly the first place we turn to for deep insight into human nature. Yet the fact that Chronicles . . . . Continue Reading »
Where has all the dark Christian music gone? It doesn’t take much listening to notice how blithe and breezy popular Christian music has become. At the data journalism site FiveThirtyEight, Leah Libresco has run the numbers and found that the lyrics of recent Christian hits skew towards life, . . . . Continue Reading »
Does your soul need a lay-me-down instead of a pick-me-up? Harrison Lemke's Fertile Crescent Blues is a deep Biblical meditation expressed through feel-bad indie music. Continue Reading »
Might music cultivate a culture of entrepreneurship? Continue Reading »
Avant-garde writers and composers profit by renouncing vulgar profit. Continue Reading »
The most screenshotted sequence in Beyoncé’s visual album Lemonade is “Hold Up.” After discovering her husband’s infidelity, she walks down the street smashing storefronts with a baseball bat, finally crushing a row of cars in a monster truck. Viewed alone, the song seems like a simple . . . . Continue Reading »
As the cantor of Leipzig, Bach was responsible for composing music for Sunday services, which produced reams of choral music, mostly cantatas. Because of this, it would be difficult to find a composer who wrote more sacred music. Like Victoria and Bruckner, Bach’s works stem from his own devotion. But more than any other composer, Bach uses complex music to articulate theology. . . . Continue Reading »
Hymns are chimerical critters. Their bodies are made of poetry, and their breath is music. The natural ligature of these beasts is rhyme. But sweet rhyme has fallen on strange times in both poetry and music. In poetry, rhyme is terribly out of fashion. It has come to serve more as a rhetorical . . . . Continue Reading »
Iʼm twenty years old, maybe twenty one. Weʼre four deep in my little two-door Saturn, on our way back from a show in the city. Itʼs late. I canʼt remember who played, but they were good. (They were all good back then, or at least I thought they were.) Weʼre passing the auxiliary cord, sharing . . . . Continue Reading »
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