I listened in on a conversation recently on “the worship wars” in evangelical-style congregations and I heard some interesting observations. My main dissent, which I did not express, was that the discussants were treating the battles about worship as a relatively recent phenomenon—several . . . . Continue Reading »
Earlier this month, I had a chance to see the Gotham Early Music Scene’s production of The Play of Daniel, a medieval Christmas pageant, performed as part of the annual Twelfth Night Festival at New York’s Trinity Church. The festival, which the church started several years ago, revives the idea . . . . Continue Reading »
Schubert’s Winter Journey: Anatomy of an Obsession by ian bostridge knopf, 528 pages, $29 One hundred and fifty years ago, lieder—art songs, in English—held a place in society that no music holds today. These were songs for a soloist with piano accompaniment, something for two people of . . . . Continue Reading »
Not long after the Civil War, John Wesley Work, an African American church choir director and scholar in Nashville, Tennessee, realized that the rising generation of black southerners might best understand the importance of spirituality by learning the songs their ancestors sang during the days of . . . . Continue Reading »
“I am a sinner, who’s probably gonna sin again”Kendrick Lamar’s breakthrough album, good kid m.A.A.d. city, is a conversion narrative, tracing the moral journey of a young Kendrick through vice, violence, and grace. I don’t mean that the album is just redemptive or that one can interpret . . . . Continue Reading »
Discussions of liturgical music in many Catholic parishes have become needlessly polemical. The one thing we all agree upon is the poor state of liturgical music in most Catholic parishes. Like silly children taking up their parents’ quarrels, however, it’s not uncommon to see thirty-year-old adults arguing polemically about the “Spirit” of Vatican II and “hidebound” Latin traditions. While this irony may escape some, 2015 marks forty-five years since the Vernacular “Novus Ordo” Mass was introduced. The liturgical revolutionaries and counter-revolutionaries are dying out. Priests ordained before the Council are few, and folk groups are quite literally aging out. Continue Reading »
G-major, D-major. Amen. So be it.It is week two of the Festspiele here in Salzburg, where Mozart, Beethoven, Schubert and Brahms echo through the streets every day. However, in a city filled with the world’s greatest musicians performing the stuff of musical legend, it is a relatively new piece of music that floods my mind. Continue Reading »
Becoming a Poet in Anglo-Saxon England by emily thornbury cambridge, 338 pages, $99 My years of mandatory Latin began when I was eleven. Almost immediately I hated the language more than the mandatory tie and jacket that made me an easy target for bullying on the six public buses I rode each . . . . Continue Reading »
The Contemporary Christian Music industry has shrunk to a third of its former size. Is dissatisfaction with a Christian copy-cat culture to blame? And what is “good” Christian art anyway?
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Fierrabras composed by franz schubert performed at the 2014 salzburg festival In the world of opera today, the standard repertoire is being performed to death, while works of enormous interest from the seventeenth century onward lie moldering in obscurity. Programming unknown compositions . . . . Continue Reading »
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