Beethoven’s Legacy
by Peter J. LeithartBeethoven didn’t create immortal music. He created enduring musical institutions. Continue Reading »
Beethoven didn’t create immortal music. He created enduring musical institutions. Continue Reading »
Tonal music evokes the sacred by creating expectations of fulfillment. Continue Reading »
Can music save your mortal soul?” Don McLean asked that question in his 1971 classic, “American Pie.” Released when I was ten years old, it was the first rock song that I could sing word for word. I understood none of its historical allusions, but I grooved to its catchy phrases, graphic . . . . Continue Reading »
Dear Hozier: Your overtly theological song titles lured me in. “From Eden”? “Take Me To Church”? Once I read some of your anti-Church comments, I girded my theological loins for a smackdown; I didn’t want to like you. But, as it turns out, I think you’re really good. Your sound is hypnotic, many of your lyrics poetic (comparatively speaking). I like the fusion of blues, jazz, pop, and gospel. There is a pulse and a crackling sparseness and a dark beauty to many of your songs. I’ve had your album on repeat on Spotify for the past week, despite myself. You’ve stirred my lingering desire to become a singer-songwriternearly enough for me to pick up my guitar. Continue Reading »
The Trinity imagined through musical analogies. Continue Reading »
Beethoven triumphed over physical obstacles, and over the constraints of music itself. Continue Reading »
“Ol’ Man River” from the musical Showboat provides a lens for looking at American changing attitudes on race. Continue Reading »
How do Christians prepare for the coming crisis? Continue Reading »
Why is sacred music still popular in post-Christian society? Continue Reading »
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