Early in his Tragic Sense of Life , Unamuno captures the profound connection between autonomy and tragic character in a passage of hyperventilating passion: “The visible universe, the universe that is created by the instinct of self-preservation, becomes all to narrow for me. It is like a . . . . Continue Reading »
For Thomas, the “final cause” is the first cause. That is, the purpose for which a thing is done is what initiates doing the thing. I plan to retire to Tahiti; that is my final purpose. And that is the cause that initiates the various schemes of earning and saving that I embark on. The . . . . Continue Reading »
Postmodern tragedy is also rooted in Freud: For Freud, the id desires but is blocked and opposed by the superego. The ego negotiates, and finds ways for the id to express itself without violating the standards of the superego. This is reasonable, submission to the reality principle. But it is also . . . . Continue Reading »
Evangelicals these days are positively giddy about worldview. For many, developing a Christian worldview is the answer to all or most of the ills that plague the contemporary church. When I see a bandwagon, however, I tend to wonder why they are heading in that direction, and this contrarian bias . . . . Continue Reading »
To what extent does Platonism arise out of fear of contaminants, of miasma, of impurity? On Derrida’s reading, Plato dreams of an uncontaminated origin and presence that can never be arrived at or achieved, and he sees every supplement as an unhappy contamination of the purity of the origin. . . . . Continue Reading »
Back to reflections on post-modernism: It seems that Freud, not Nietzsche, is the really grandfather of the movement, though, not unexpectedly, some sons and grandsons efface his memory and resist his influence (not all, of course). . . . . Continue Reading »
It’s not at all accidental that postmodernism takes its rise in the mid-1960s. Bloom wrote the first draft of the anxiety of influence in 1967, and revised it over several years before its initial publication in 1973. Derrida’s annus miraibilis was 1967, which saw the publication of . . . . Continue Reading »
Turns out that Harold Bloom’s “anxiety of influence” is just another variation on the same set of themes that Derrida is obsessed with — the son’s murder of the father. For Bloom, the son is the “strong poet” who resists the influence of his . . . . Continue Reading »
Jonathan Ree has this to say to the Platonic realist who is afraid of attacks on realism: “you’re worried about being deprived of something that actually you haven’t got, and you wouldn’t know if you had . . . . it’s a chimera, this thing that they’re worried . . . . Continue Reading »
Derrida explains Plato’s dualism as an effort to dominate writing (and, I suppose, reality) by the imposition of organizing contrasts and differences. Words are ambiguous; pharmakon means remedy or poison. Rather than leave this ambiguity lie, and simply follow out the proliferating . . . . Continue Reading »
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