Princeton University, as its graduates will gladly tell you, is the real treasure of the Ivy League. And for good reason: Past and present faculty rank among the great figures of American higher education—including Harry G. Frankfurt, a Princeton emeritus professor of philosophy. Frankfurt earned his distinguished scholarly reputation with books like Demons, Dreamers, and Madmen: The Defense of Reason in Descartes's Meditations and The Importance of What We Care About: Necessity, Volition, and Love.
But his masterwork, the work that dwarfs them all (at least in sales), is his tour de force of sixty-seven pages, On Bullshit. Originally written as a 1986 paper, On Bullshit appeared in hardback in 2005 to surprisingly widespread appeal, and garnered media appearances for Frankfurt. (A 2006 sequel, On Truth, drew sadly less attention.) Wikipedia lists Frankfurt’s notable ideas as “higher-order volition,” “Frankfurt cases,” and the “theory of bullshit.” Appropriately so. As Frankfurt himself notes in On Bullshit:
One of the most salient features of our culture is that there is so much bullshit. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. . . . In consequence we have no clear understanding of what bullshit is, or what function it serves. And we lack a conscientiously developed appreciation of what it means to us. In other words, we have no theory. I propose to begin the development of a theoretical understanding of bullshit, mainly by providing some tentative and exploratory philosophical analysis.
Frankfurt argues that “bullshit is unavoidable when circumstances require”—or invite, or encourage—“someone to talk without knowing what he is talking about. Thus the production of bullshit is stimulated whenever a person’s obligations or opportunities to speak about some topic exceed his knowledge of the facts that are relevant to that topic.” The bullshitter, in Frankfurt’s theory, “does not care whether the things he says describe reality correctly. He just picks them out, or makes them up, to suit his purpose.”
For Frankfurt, bullshitting is not quite the same as lying. Liars must acknowledge and engage the truth even as they subvert it. By contrast, “[the bullshitter] does not reject the authority of the truth, as the liar does, and oppose himself to it.” Rather, “he pays no attention to it at all. By virtue of this, bullshit is a greater enemy of truth than lies are.”
All of which sounds plausible. But theories require testing. So how might we test a “Frankfurt Theory of Bullshit”?
Two preliminary observations: First, few would dispute that bullshit, like an ocean of plastic debris, is a common element in our politics, especially in an election year. In fact, it’s too common and too obvious a feature for politics to offer a satisfying test case.
Second, no test is likely to be conclusive, because the testers themselves will be accused of adding to the effluence. This is a risk inherent to all such inquiry. Nonetheless, a brief look at three sample articles seems worthwhile, because it suggests the applicability of the Frankfurt theory to ecclesial matters. Note that in each case the intelligence and decency of the authors are presumed; so is their competence in areas other than the specific subject matter of the articles themselves. Note also that a new French text, Comment L'Amérique veut changer de pape (How America Wants to Change the Pope), may offer an especially promising environment for testing Frankfurt’s theory; but currently available only in French, it’s not included here.
We can start with Now a 2017 classic of the genre, it easily meets the Frankfurt standard of speaking “extensively about matters of which [the authors] are to some degree ignorant.” Impressive in its length, turbulent in its imagination (claims of political Manichaeism; a cult of apocalypse, etc.), and generous in use of hyperbole (“ultra-literalism,” “ecumenism of conflict,” “nostalgic dream of a theocratic type state,” etc.), it embodies a peculiar kind of European anxiety about American influence and otherness. In the process, it fails to engage—in fact, seems uninterested in engaging—the real issues and actual terrain in long-term evangelical/Catholic relations.
A similar anxiety spills over into La Croix International’s “The rise of ‘devout schismatics’ in the Catholic Church.” Written by an American-based author, the text has a different set of problems: guilt by association (conflating political critics of Pope Francis with religious leaders whose thinking the author finds disagreeable, under the label of “schismatic”); a heavy reliance on hyperbole (as in “ideological purity tests that have fostered a kind of ecclesiological Leninism or Jacobinism in the Catholic Church,” etc.); and the arrangement of facts and concerns in a misleading—and at times clearly false—fashion to produce an impression of Catholic schism.
Finally, the schism theme is accelerated and operationalized in Again, in the presumed shadow of an imminent crack-up of Church unity, the writer’s hyperbole is thick with a generous layer of adjectives—outrageous, nefarious, kooky, insidious, shoddy—for his targets.
There are two ironies here. The first is the fact that some “conservative” Catholic groups do indeed deserve serious criticism—but criticism of a more grounded and credible nature—for their excessive, conflict-driven negativity toward the pope and certain bishops. The second is the author’s seeming obliviousness to his own publication’s ample record of feeding conflict and Church division. When the author attributes the sins of “innuendo and simple smearing” to former nuncio Archbishop Carlo Maria Viganò, quite a few readers will recall the adage about the pot calling the kettle black.
In the Frankfurt theory, the “person who undertakes to bullshit” has a focus that “is panoramic rather than particular. He does not limit himself to inserting a certain falsehood at a specific point, and thus is not constrained by the truths surrounding that point or intersecting with it.” Rather, “the mode of creativity” upon which bullshit relies “is less analytical and less deliberative than that which is mobilized in lying. It is more expansive and independent, with more spacious opportunities for improvisation, color, and imaginative play. This is less a matter of craft than of art. Hence the familiar notion of the ‘bullshit artist.’”
I suggest that the theory has merit.
Francis X. Maier writes from Philadelphia.