Musically, not that impressive, an instance of the Beatles’ rock-meets-music-hall mode, but winsome enough if you don’t listen to it often. It’s fun, and it knows it’s sing-song-y. Irony-hounds might even ask whether that hints at some kind of reversal being the true message. But, no, the . . . . Continue Reading »
Back to where our world begins, the 1960s. The English word love can refer to a number of different sorts of love that other languages, classical Greek particularly, kept more distinct in their vocabulary. The distinctions between agape, philos, and eros, for example, are fairly . . . . Continue Reading »
Whit Stillman fans know that his first three films are a loosely connected trilogy of sorts, with THE LAST DAYS OF DISCO being the film that ties them together by means of our meeting key characters from the other two in its Club. How then, does his recent DAMSELS IN DISTRESS, a rather stranger . . . . Continue Reading »