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The Eyes of Wendell Berry

The Seer opens with a blur of urban lights and longings: the faster freeway, the taller building, the machines that become the objects of our affections. Over this, the film’s subject, in his distinctive timbre, laments the pursuit of “the objective.” These opening three minutes culminate in . . . . Continue Reading »

Wendell Berry Week

It’s been a Berry-filled week, in the aftermath of his Jefferson Lecture last Monday, which I’ve yet to read in full. For one, there was an affectionate puff piece in the NYT , a fine introduction to the man, and of course on Tuesday I drove over the hill for my bi-monthly fill of . . . . Continue Reading »

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