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Meir Y. Soloveichik
The collection of Yad Vashem, Israel’s museum of the Holocaust and memorial to its victims, presents us with a chronicle of human barbarity and evil. But in its celebration of those “Righteous Gentiles” who protected Jews, it preserves a luminous moral and spiritual legacy. Among those . . . . Continue Reading »
In his wonderful book Land of Lincoln, Andrew Ferguson recalls meeting an immigrant family from Thailand who ran a restaurant in Chicago just a few blocks from the Orthodox Jewish neighborhood where I grew up. This couple, Oscar Esche and his wife, had developed a passionate devotion to . . . . Continue Reading »
In a provocative and profound essay in this magazine (“A King in Israel,” May 2010), the late Michael Wyschogrod proposed that the Jewish state define itself as a democratic, constitutional monarchy. Israel, Wyschogrod suggested, should rename its head of state—the president elected by its . . . . Continue Reading »
How can finite man commune with an infinite God? To both Christians and Jews, God himself has made that possible by irrupting into the temporal world. To Christians, God became man in the Incarnation; to Jews, the God that spoke out of the fire on Mount Sinai gave his Torah. Their ways of . . . . Continue Reading »
Paradox attends the influence of Michael Wyschogrod, perhaps the most original Jewish theologian of the past half century. An unapologetic defender of Israels particularity and Gods special love for the Jewish people, he has often found a warmer reception among Christian thinkers than . . . . Continue Reading »
I cannot conceive an argument with John’s Jesus,” Jacob Neusner once wrote, “because eternal Israel in John is treated with unconcealed hatred.” The Gospel of Matthew, on the other hand, was written for a Jewish audience, and the Jesus it portrays is someone with whom Neusner could imagine a . . . . Continue Reading »
In his classic Holocaust text, The Sunflower, Simon Wiesenthal recounts the following experience. As a concentration camp prisoner, the monotony of his work detail is suddenly broken when he is brought to the bedside of a dying Nazi. The German delineates the gruesome details of his career, . . . . Continue Reading »
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