Looking back on her life, Patty Duke emphasized the importance of her faith, long-time husband, and reconciled family, saying that despite everything that had befallen her—abuse, several broken marriages, and a severe emotional illness—“I’ve been richly blessed. When I pray, I never ask for material things. I offer only prayers of gratitude.” Continue Reading »
A new film, The Innocents, tells a moving story of healing and grace without downplaying the grief and trauma that preceded them. And it does this while addressing a moral blind spot of our popular culture. Continue Reading »
His adaptation of Lady Susan downplays a key fact: Austen’s women jockey among themselves for status and power. Men may be the prizes, but they’re not the point. Continue Reading »
At a moment like this when there doesn’t seem to be a lot going right—ascendant authoritarianisms throughout the world; lethal violence by ideological fanatics; feckless responses to both from the democracies—it’s good to be reminded that things can be different, and in fact were different, . . . . Continue Reading »
Terrence Malick has baffled many of the film critics who once championed him. His detractors call his latest film, Knight of Cups, an “indecipherable mess” or “hard to parse.” A.O. Scott of the New York Times admired Malick’s Tree of Life, but now sounds as if he feels betrayed: “The deployment of beauty strikes me as more evasive than evocative.” Continue Reading »
Last night I watched The Final Girls, Todd Strauss-Schulson's 2015 slasher parody about mourning. It's charming, touching, and mostly successful—and a great example of the reasons 2015 specifically and the '10s generally have been such great years for horror fans.2015 was just a cornucopia of . . . . Continue Reading »
Quentin Tarantino once said, “Movies are my religion and God is my patron,” and yet, his movies can hardly be considered religious. Tarantino’s cinematic universe is characterized by unmitigated violence, terror, and a prolific theme of human self-destruction.
Any major American newspaper would immediately fire a reporter who was caught using composite characters or inventing quotations for his stories. Hollywood naturally plays by different rules. A film “based on” a true story is considered acceptable; “recreated” dialogue is the norm. We expect . . . . Continue Reading »
Released last summer in theaters, and now available on DVD, The War Room was the most surprising hit film of 2015—and one of the most rewarding. It is an explicitly Christian drama which proclaims Christ as Lord and Savior, affirms the power of prayer, and emphasizes the reality and danger of . . . . Continue Reading »
This year two films on suicide took home Oscars: Crisis Hotline: Veterans Press 1 for best Documentary Short Film and The Phone Call for best Live Action Short Film. Both speak with quiet eloquence about the power of love in the face of death.
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