Coronavirus Diary: New York, March 27
by R. R. RenoOur fear exposes the weaknesses and false promises of our worldly preoccupations. Continue Reading »
Our fear exposes the weaknesses and false promises of our worldly preoccupations. Continue Reading »
By emphasizing the technological promise and the rhetoric of preventable death, we are ensuring that this crisis will go on and on, reverberating in society for a long while to come. Continue Reading »
Death’s undertow is strong. It inspires powerful emotions, amplified by the media and echoing in our souls. Continue Reading »
The New York shutdown has not suspended all the corporal works of mercy. Continue Reading »
The “woke” Episcopal Church of 2019 stands firmly with Team Herod. Continue Reading »
Artemisia: Light and Shadow, a one-act, one-person play at the Flea Theater in Tribeca, portrays the life of the seventeenth-century Baroque painter Artemisia Gentileschi. Continue Reading »
Chick-fil-A has opened a new outlet in Manhattan, and the liberals are outraged. Continue Reading »
Mary McCarthy's caustic wit and command of language elevated her nonfiction to the first rank. Continue Reading »
New York City Police Officer Wenjian Liu was buried on Sunday. He was killed before Christmas, along with Officer Rafael Ramos, by Ismaaiyl Brinsley, a mentally-ill black man who wanted to exact retribution for the death of Eric Garner, also black, who suffocated as the result of a police chokehold during his arrest. At the funeral for both, a number of police officers turned their back when Mayor Bill De Blasio spoke. Continue Reading »
For the past three months, parishioners and friends of the Church of Our Saviour on Park Avenue in midtown Manhattan have been wondering what happened to the fourteen icons that were removed from two pilasters in the sanctuary on the evening of August 22. They have also been wondering why the artwork was removed in the first place. It was integral to the church’s wall-to-wall iconography, which had been commissioned by the previous pastor and funded in part by the Vatican. Other icons in the sanctuary remain. Those that are now missing were integral to the “sacred geometry of the whole sanctuary,” as their artist, Ken Woo, describes them. Their sudden disappearance has been as conspicuous as their presence was. Continue Reading »