I want to return to the deeply puzzling question: why does Genesis treat the woman’s desire for her man (Gen. 3:16) so differently from the man’s joy in the woman (Gen. 2:23)? Why does the one come after the first disobedience, and the other before—as if a woman’s sexual desire is a . . . . Continue Reading »
In previous posts I have been thinking about striking moments early in Genesis that have to do with male and female—familiar moments with little-noticed features that are striking once you see them. Here is another one: the commandment not to eat from the tree of knowledge of good and evil is . . . . Continue Reading »
It’s striking—or it should be—that Genesis does not mention “male and female” until it comes to the human creation (1:27). Before that there’s seed bearing fruit and the blessing of procreation, “be fruitful and multiply,” which establishes the sexual reproduction of the beasts of . . . . Continue Reading »
Whit Stillman fans know that his first three films are a loosely connected trilogy of sorts, with THE LAST DAYS OF DISCO being the film that ties them together by means of our meeting key characters from the other two in its Club. How then, does his recent DAMSELS IN DISTRESS, a rather stranger . . . . Continue Reading »
Having written one , two , three , four ALMOST FAMOUS-driven posts and now this one, I obviously do think it is an excellent film. Its one weakness is a certain complacency, underlined by its ending. I don’t have a problem with happy endings per se, but the one it provides really is too easy. . . . . Continue Reading »
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