Abraham Kuyper was fond of appealing to John Calvin’s authority on various subjects, but when he turned to the subject of art in his 1898 Stone Lectures at Princeton Seminary, he did so in a rather odd way. He said that he was going to look for insights from the Genevan Reformer on the subject . . . . Continue Reading »
When I was four years old, I would (so I’m told) stand the ottoman in the living room on its end so that it could serve as a pulpit. I would place my mother’s hardback copy of The Living Bible on it, opening it at the middle, to a passage I couldn’t read. And I would arrange a few stuffed animals in a semi-circle, stumped as to how to provide them with pews but willing to make do regardless. There is still a recording of one of these sermons that my parents have on a cassette tape, that they delight in playing at inopportune times. On that recording I sound emboldened, fiery; I am quoting Bible verses from memory. And that, I think, was the beginning of my devotion to preaching—to the proclamation of the Christian gospel. The ardent, authoritative preaching I heard at First Baptist Church in Conway, Arkansas, where my newlywed parents attended, must have prompted my childhood sermonizing. A recent alumnus of Dallas Theological Seminary, the pastor of First Baptist had been marinated in dispensational theology, a method of biblical interpretation that—its serious (and bizarre) flaws notwithstanding—made for Scripture-centered, whole-canon-focused sermons. I must have absorbed his passion, and I must have admired it. Why else would I perform such an elaborate flattery of imitation? Buried somewhere in my attic is a sheaf of drawings I made as that pastor preached, week after week—a three year-old’s scrawled renditions of David and Goliath, Daniel in the lion’s den, and Jesus hanging on the cross. And these were the stories I spoke about when I addressed my congregation of plush toys from behind the ottoman pulpit. Continue Reading »