The Poetic Wisdom Paradox, which I abbreviate as the PWP, works as follows. A wise poet, let us say Homer, wants to convey wisdom in his poetic creation. Unlike the bohemian model of the underground poet satisfied with a tiny audience, we assume he begins with the poet’s traditional desire to . . . . Continue Reading »
“Friends of Mine” http://www.youtube.com/watch?v=ON-F0i69_8k is a song in which the narrator has an appreciative yet ultimately ambivalent attitude towards marriage, and towards “pairing off” more generally. Officially, that is, judged by the meaning of the lyrics alone, it is a . . . . Continue Reading »
The songs that make up Odyssey and Oracle could be analyzed in two ways. First, we could interpret them as distinct songs only superficially or incidentally linked in lyrical content—and then we’d say a lot more about which of the two Zombie songwriters, Rod Argent or Chris White, penned . . . . Continue Reading »
The song (http://www.youtube.com/watch?v=oc7b62El_fk) isn’t great, but a mixed bag. A gorgeous chorus, tasty instrumental parts, but the song’s feel is too characterized by the embarrassingly breathy “ahh” sound that punctuates the verses. If (as Will Farrell fans know) there . . . . Continue Reading »
This blog has been carried by Peter Lawler for the last year or so, and the time has long since passed for yours truly to lend a hand. As a way of prodding myself into the unremunerated glories of blogospheric content production, I’ve given myself permission to muse upon old rock songs. Most . . . . Continue Reading »
It’s not because of its sonority, its emotion, its excellence, or its beauty. No, forget all that; none of those messy, unscientific explanations get to the bottom of why we like music. The real truth has at last been revealed in its fulness: Whether it’s the Beatles or Beethoven, people . . . . Continue Reading »
Late in the nineteenth century, men and women in apparent possession of their senses heard Richard Wagner’s new operas and announced that their lives had changed forever. Charles Baudelaire saw Tannhäuser in 1861 and gushed, “Listening to this impassioned, despotic music, painted upon the . . . . Continue Reading »
Maya Angelou says he “thinks like a sage, acts like a warrior and writes like a poetical prophet.” Henry Louis Gates, Jr. says he is “the pre-eminent African-American intellectual of our generation.” And Marian Wright Edelman says he is “one of the most authentic, . . . . Continue Reading »
Music has undergone serious theological neglect according to Jeremy Begbie, a professionally trained musician and theologian at Duke Divinity School. In his introduction to Theology, Music and Time, he writes:In the twentieth century, the corridors of theology were not generally alive with the sound . . . . Continue Reading »
[caption id=”attachment_5721” align=”aligncenter” width=”480” caption=”Happy 325th Birthday Kantor Bach!”][/caption]Our beloved fifth evangelist was born on this day in 1685. Since many male relatives in Bach time shared a common first name: fathers, . . . . Continue Reading »
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