Once upon a time, in a faraway place called Brooklyn, there lived a museum director named Anne Pasternak. Because she was a member of America’s self-appointed cultural elite, she liked to travel to trendy places like Aspen and make sweeping statements about art and society. If we don’t . . . . Continue Reading »
Opera has traditionally had little interest in Christian orthodoxy. So when composer Francis Poulenc wrote his masterpiece, Dialogues des Carmélites, the work’s celebration of heroic piety defied the secular spirit of the art form. Continue Reading »
The idiotic, self-devouring cultural dialectic of Ireland since independence has ensured that its own damaged iconographies have blocked access to certain elements of the past, and therefore stymied present artists. Continue Reading »
As humanists sought the truth by mastering ancient languages, and reformers by printing the Gospels in vernacular ones, Holbein pursued the truth by recording his subjects—both Protestants and Catholics—in honest, startling detail. Continue Reading »