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Mozart’s God

In a glass case at Mozart’s birthplace in Salzburg is a small wax doll. Its eyes look demurely downward, it wears a crown several times the size of its head, and it is clad in a richly embroidered garment that looks like nothing so much as a sumptuous eighteenth-century ball gown. This is . . . . Continue Reading »

Briefly Noted

There was a time when the Church shaped Western high art, particularly art music, as distinct from folk or pop music. That era has been over for centuries, yet the impetus for composers to engage with spirituality has endured. There has been no shortage of scholars in recent decades endeavoring to . . . . Continue Reading »

Soli Deo Gloria

Though I would not dare deviate from Bach’s Passions for Good Friday music listening, I cannot think of a more appropriate recording than Honeck’s “Larghetto for Orchestra” for Holy Saturday. Continue Reading »

Remembering Orchestra Hall

Going to a concert, like going to church or a nice restaurant or traveling on a plane or an overnight train, once meant dressing up and looking your best. We had been taught that dressing up showed respect—and classical music evoked special respect. This had little to do with how much one . . . . Continue Reading »

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