Art gives us structure and clarity; it helps us make sense of the disorder of life. Will Arbery’s Corsicana is a weird play, but you will feel warmer for having seen it—and maybe a little wiser, too. Continue Reading »
What would happen if a Viking skald were armed with a modern Hollywood budget and set loose to create a film? Probably something quite like The Northman. Continue Reading »
For many Christians, the perennial temptation to immanentize the eschaton has become so familiar it is often invisible. In Midnight Mass, the trope of vampirism splashes that invisible temptation with vivid blood, and we are reminded that chiliastic labor only builds kingdoms of hell. Continue Reading »
Once we cease to see demanding relationships as primarily a burden on our liberty, we find that the labor of love is one of life’s greatest pleasures. It allows us to become the best versions of ourselves. Continue Reading »
Critics who bemoan the film’s departures from its source material misapprehend the nature of adaptation, which requires interpreting and resituating a work of art. Continue Reading »