Milton describes Satan’s spear as “equal which the tallest Pine / Hewn on Norwegian hills, to be the Mast / of some great Ammiral.” In his translation of the Iliad , Pope describes the death of Sarpedon: “as some mountain Oak, or Poplar tall / or pine (fit mast for some . . . . Continue Reading »
Hollander quotes the final sentence of “The Dead”: “His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.” The chiasm of “falling faintly” and . . . . Continue Reading »
The 1967 novel, A Grain of Wheat , by Ngugi wa Thiong’o tells the story of a village as Kenyan independence approaches. There is a love triangle involving Mumbi and the rivals for her love, the collaborator Karanja and the carpenter Gikonyo, who eventually marries her. There is the tortured . . . . Continue Reading »
In his recent biography of Shakespeare, Bill Bryson quotes an anti-Stratfordian comment that contemporary documents never describe Shakespeare as an author. Bryson responds: “That is not even close to being so. In the Master of the Revels’ accounts for 1604-1605 - that is, the record of . . . . Continue Reading »
Dale Dykema of Covenant Home Curriculum writes: “I have just finished reading Infidel by Ayaan Hirsi Ali, a Somali Moslem woman converted to Dutch Humanism. Her efforts to expose the violence of Islam, especially its oppression of women is noteworthy. Of particular interest to me was how this . . . . Continue Reading »
Tom Perrotta has written some popular coming of age novels, not quite innocence-to-experience (since no one is quite innocent even at the beginning) but from experience to greater experience, from adolescent confusions to greater clarity. Everyone seems wiser and calmer at the end. But the comic . . . . Continue Reading »
Tom Perrotta creates a background buzz of sexuality in his 1998 novel Election . It’s appropriate to the story’s setting - an election for Winwood High’s student body president. What’s remarkable is how deftly he achieves this - mostly by gesturing and leaving a great deal . . . . Continue Reading »
Bill Bryson’s recent Shakespeare bio begins with some delightful descriptions of extant portraits of the bard. The Droeshout engraving, Bryson writes, “is an arrestingly - we might almost say magnificently - mediocre piece of work. Nearly everything about it is flawed. One eye is bigger . . . . Continue Reading »
In her introduction to a new edition of Paradise Lost (Blackwell), Barbara Lewalski notes the oddness of Milton’s epic protagonists and setting. Citing the Proem to Book 9, she writes that Milton “has indeed given over the traditional epic subject, wars and empire, and the tradition . . . . Continue Reading »
Harold Bloom (in The Visionary Company ) writes that just as “French culture has been divided between those who have accepted the French Revolution and its consequences and those who have sought to deny and resist them,” so English culture is “divided between those who have . . . . Continue Reading »
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