What Makes Rock Christian?

The recent release of Switchfoot’s new project Fading West led to more questions for lead singer Jon Foreman on how his band can be Christian when its songs lack explicit Christian content. Foreman’s answer has basically remained that his songs are Christian because they are deeply . . . . Continue Reading »

Music’s Address

“Music,” writes Roger Scruton (Soul of the World, 175) “addresses us from beyond the borders of the natural world” and thus “requires us to respond to a subjectivity that lies beyond the world of objects, in a space of its own.” It’s one of the intimations . . . . Continue Reading »

Singing the City

Barbara Kowalzig (Singing for the Gods, 5) observes that “Choral song was everywhere in the Greek world, and even if we attempt to avoid the risk of viewing the entirety of Greek civilization through the choral lens, it is nevertheless clear that dancing in the Greek khoros was a ubiquitous, . . . . Continue Reading »

Among Children

Stephen Walsh’s Musorgsky and His Circletells the story of the moguchaya kuchka the “Might Little Heap” of Russian intellectuals surrounding Musorgsky - César Cui, Alexander Borodin, Nikolai Rimsky-Korsakov, and Mily Balakirev.In his TLS review of the book, Paul Griffiths . . . . Continue Reading »

Art and the World’s Repair

The essays on art collected in Tikkun Olamoriginated from Gillian Rose’s “broken middle,” writes editor Jason Goroncy. He includes a long quotation from a Rowan Williams essay on Job to explain.Williams writes, “Mere resignation is a betrayal; structuring and explanation . . . . Continue Reading »

Why Rock Couldn't Stay at the Commune

It’s very cool, very punk-rock, folk-rock, and all the other rockin’ signifiers of hip radicalism, to be going to a commune. Or to hang-out at one for a season. But to actually stay for good is not what rock-tuned set wants.How do we know that? Well, tell me about a rock song that celebrates . . . . Continue Reading »

Saving Rock and Roll

Rock and roll has a rebellious sound. I write that hesitantly, because there is really no such thing as rock and roll, in terms of having a permanent nature or ongoing essence. Speed, loudness, and distorted acoustical effects do not a musical genre make. Rock is a mishmash of various musical . . . . Continue Reading »

Progressive Rock Redeemed

On February 9, I had the pleasure of finally seeing one of my favorite bands for the first time—a progressive rock supergroup called Transatlantic. Because all of my friends are too respectable for such things, I made my journey to the concert alone. For a progressive rock supergroup, however, Transatlantic has an excellent pedigree: The band was founded in 1999 as a side project of four progressive rock musicians from America and Europe (hence the name Transatlantic): Neal Morse, then of Spock’s Beard; Mike Portnoy, then the drummer for Dream Theater; Roine Stolt, the lead guitarist of The Flower Kings; and Pete Trewevas, the bassist from Marillion. Continue Reading »