One of the most fascinating details of Mary Eberstadt’s “The Fury of the Fatherless” (December) is the observation that the BLM movement has a Marxist vision of the family: “We disrupt the Western-prescribed nuclear family structure requirement by supporting each other as extended families . . . . Continue Reading »
Phil Spector was the very model of the modern music producer, and also a convicted murderer.
Continue Reading »
In November 2019, a controversy broke out at the annual conference of the Society for Music Theory. The plenary lecture, delivered by Hunter College professor Philip Ewell, alleged the existence of elitism, color blindness, Eurocentrism, racism, and xenophobia in the field of music theory in North . . . . Continue Reading »
Last month, two Jewish artists offered two divergent visions of the life worth living that anyone curious about the state of our union ought to examine. Continue Reading »
Music is the best language we have to describe the unified diversity of God’s life, the perfect harmony of Father, Son, and Spirit. Continue Reading »
Around the start of the seventeenth century, a new sense of the word “harmony” emerged. To that point, harmony in music had been produced by the pleasing opposition of two melodies according to the principles of counterpoint. In the 1600s, “harmony” began to denote the non-melodic . . . . Continue Reading »
Through music, we can connect with and encourage one another despite our physical separation. Continue Reading »
Like many other hymns, Ralph Vaughan Williams’s “For All the Saints” is an endangered species today. Continue Reading »
Jesus is King, Kanye West’s latest album, channels the theology of Martin Luther.
Continue Reading »
Jesus Is King, released on Friday, is Kanye West's first explicitly Christian album, calling into question his role as the nation’s resident “jackass.” Continue Reading »
Subscribe
Latest Issue
Support First Things
