In their The Apocalyptic Imagination in Medieval Literature , Richard Emmerson and Ronald Herzman find apocalypse in unexpected places. Like Chaucer. For the medieval mind, any pilgrimage evoked the pilgrimage of the soul toward heaven, and The Canterbury Tales is no different: “For the . . . . Continue Reading »
Nicolai Gogol’s mystical, exotic religious views didn’t quite fit any form of orthodox Christianity. Orthodoxy deeply marked him, especially Orthodoxy monasticism. After his first visit to the monastery at Optina, Gogol wrote that he “took a memory away with me that will never . . . . Continue Reading »
Leland Ryken taught English at Wheaton College for and astounding 45 years, and he is sharing the fruits of that long tenure in a Crossway series, Christian Guides to the Classics. So far Ryken has written on Homer’s The Odyssey , Hawthorne’s The Scarlet Letter , and Milton’s . . . . Continue Reading »
Alexander Nazaryan writes with discomfiting honesty about how his own failure at novel-writing and envy of published novelists has affected his book reviewing: “I had started reviewing books, a dangerous occupation for an aspiring novelist, sort of like inviting an arsonist to join the fire . . . . Continue Reading »
The old adage applies in spades to the covers of Pride and Prejudice sampled in the NYTBR . Don’t judge the book by any of these covers, especially the Lady Godiva, the Twilight knock-off, and the “smokin’ bad boy Darcy” ones. . . . . Continue Reading »
Ron Rosenbaum thinks Jane Austen is overhyped . Not, he insists, overrated. But lost in what he calls “the tsunami of schlocky, rapturous, over-the-top, wall-to-wall multiplatform of celebration of the 200th anniversary of Pride and Prejudice . He’s got plenty of evidence to back it up: . . . . Continue Reading »
Sarah Beckwith ( Shakespeare and the Grammar of Forgiveness ), further exploring the disruption of language in the aftermath of the Reformation, notes that two paths forward opened up. The first was magic, which the Reformers detected in the hocus pocus of the mass. This evaded the problem by . . . . Continue Reading »
Shakespeare’s plays are are a response to the crisis of authority and sacramental efficacy induced by the English Reformation, argues Sarah Beckwith in Shakespeare and the Grammar of Forgiveness . She writes of “an unprecedented, astonishing revolution in the forms and conventions of . . . . Continue Reading »
Those who doubt that Shakespeare wrote Shakespeare,” writes Garry Wills in Verdi’s Shakespeare: Men of the Theater , “are working, usually from a false and modern premise.” They think of Shakespeare as something like a modern playwright who writes a play, shops it around, . . . . Continue Reading »
With the splashy discovery of the supposed remains of Richard III by archaeologists from the University of Leicester, the old question of Shakespeare’s Richard demands review. Sarah Knight and Mary Ann Lund summarize the contemporary testimonies to Richard’s physical appearance, . . . . Continue Reading »
Subscribe
Latest Issue
Support First Things
