Gulliver doing his field work in Lilliput: “There are some laws and customs in this empire very peculiar; and if they were not so directly contrary to those of my own dear country, I should be tempted to say a little in their justification. It is only to be wished they were as well executed. . . . . Continue Reading »
Nobody I’ve read much likes Salman Rushdie’s third-person memoir, Joseph Anton: A Memoir , because nobody much likes the author. Zoe Heller writes the following in the NYRB : “A man living under threat of death for nine years is not to be blamed for occasionally characterizing his . . . . Continue Reading »
Naked and “unaccommodated” on a storm-shaken heath, Lear comes to see his failures as a king: “Poor naked wretches, whereso’er you are, / That bide the pelting of this pitiless storm, / How shall your houseless heads and unfed sides, / Your loop’d and window’d . . . . Continue Reading »
Kenneth Burke argues in an essay from Kenneth Burke on Shakespeare (p. 158) that King Lear focuses on the “paradox of substance.” He defines this as follows: “the quandaries whereby one’s personal identity becomes indistinguishably woven into the things, situations, and . . . . Continue Reading »
My friend John Barach offers a further gloss on the Richard Wilbur poem I discussed here yesterday. He suggests that the final lines about the milkweed possessing the field allude to Psalm 37:9, 11: Those who wait on the Lord, the humble, inherit the land. And of course that anticipates . . . . Continue Reading »
Excepting of course, The Book. I ask this question jumping off of Paul’ comment in the thread below. I’ve always been a doubt-bedeviled Christian, and whereas when I was younger it was the multiple issues raised by predestination and hell that caused me the most concern, the older I get . . . . Continue Reading »
Richard Wilbur’s “A Milkweed” has been haunting me all week. It’s a useful exercise in interpretation: Short, accessible, memorable, and profound. Today’s text: Anonymous as cherubs Over the crib of God White seeds are floating Out of my burst pod. What . . . . Continue Reading »
For all its reputation for iconoclasm, modernism, says Robert Alter in Canon and Creativity: Modern Writing and the Authority of Scripture (The Franz Rosenzweig Lecture Series) , is more accurately described as a “paradoxical amalgam of iconoclasm and hypertraditionalism” (p. 8). . . . . Continue Reading »
In her TNR review of Andrew Frisardi’s translation of Dante’s Vita Nova , Helen Vendler observes that Dante’s autobiographical cycle of prose and poems was not published until 1576, “almost three hundred years after its composition.” How was the Comedy understood in . . . . Continue Reading »
In a New Yorker piece commemorating, and celebrating, the anniversary of the Book of Common Prayer , James Wood suggests that “perhaps the most inspired, and funniest, borrowing from the Book of Common Prayer occurs in Pride and Prejudice , when Mr. Collins makes his infamous marriage . . . . Continue Reading »
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