Romanticism and the Rhetoric of Music
by Peter J. LeithartRhetorical models of music. Continue Reading »
Rhetorical models of music. Continue Reading »
Singing in the Medieval Mass. Continue Reading »
One doesn’t often find people of faith, especially conservatives, rallying around an entertainer who became famous for dressing up as an androgynous rock-star named Ziggy Stardust, singing, “Rebel, Rebel,” and pushing musical expression to its outer limits. And yet, when David Bowie died last . . . . Continue Reading »
I listened in on a conversation recently on “the worship wars” in evangelical-style congregations and I heard some interesting observations. My main dissent, which I did not express, was that the discussants were treating the battles about worship as a relatively recent phenomenon—several . . . . Continue Reading »
Earlier this month, I had a chance to see the Gotham Early Music Scene’s production of The Play of Daniel, a medieval Christmas pageant, performed as part of the annual Twelfth Night Festival at New York’s Trinity Church. The festival, which the church started several years ago, revives the idea . . . . Continue Reading »
The forgotten American orchestral composers. Continue Reading »
Schubert’s Winter Journey: Anatomy of an Obsession by ian bostridge knopf, 528 pages, $29 One hundred and fifty years ago, lieder—art songs, in English—held a place in society that no music holds today. These were songs for a soloist with piano accompaniment, something for two people of . . . . Continue Reading »
What we can learn from Shakespeare's songs. Continue Reading »
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