Not long after the Civil War, John Wesley Work, an African American church choir director and scholar in Nashville, Tennessee, realized that the rising generation of black southerners might best understand the importance of spirituality by learning the songs their ancestors sang during the days of . . . . Continue Reading »
“I am a sinner, who’s probably gonna sin again”Kendrick Lamar’s breakthrough album, good kid m.A.A.d. city, is a conversion narrative, tracing the moral journey of a young Kendrick through vice, violence, and grace. I don’t mean that the album is just redemptive or that one can interpret . . . . Continue Reading »
Discussions of liturgical music in many Catholic parishes have become needlessly polemical. The one thing we all agree upon is the poor state of liturgical music in most Catholic parishes. Like silly children taking up their parents’ quarrels, however, it’s not uncommon to see thirty-year-old adults arguing polemically about the “Spirit” of Vatican II and “hidebound” Latin traditions. While this irony may escape some, 2015 marks forty-five years since the Vernacular “Novus Ordo” Mass was introduced. The liturgical revolutionaries and counter-revolutionaries are dying out. Priests ordained before the Council are few, and folk groups are quite literally aging out. Continue Reading »
G-major, D-major. Amen. So be it.It is week two of the Festspiele here in Salzburg, where Mozart, Beethoven, Schubert and Brahms echo through the streets every day. However, in a city filled with the world’s greatest musicians performing the stuff of musical legend, it is a relatively new piece of music that floods my mind. Continue Reading »
Becoming a Poet in Anglo-Saxon England by emily thornbury cambridge, 338 pages, $99 My years of mandatory Latin began when I was eleven. Almost immediately I hated the language more than the mandatory tie and jacket that made me an easy target for bullying on the six public buses I rode each . . . . Continue Reading »